By LARRY McCABE
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Additional info for 101 Bad to the Bone
Select a four-beat Cm7 pattern see page 16. Apply this pattern to the above chart as follows: a To transpose from Cm7 to Fm7, choose either of the following options: Up 5 frets or down 7 frets. b Transpose from Cm7 to Gm7 by moving up 7 frets or down 5 frets. 2. After you complete this basic project, experiment with several other four-beat minor patterns. Use only one pattern per chorus for now a chorus is the entire length of a given chord progression; the blues progression on this page could be called a 12-bar progression or a 12-bar chorus.
I I Am7 Dm7 I Ex. 6 The basic blues progression in E minor Em7 Em7 Em7 Em7 Am7 Am7 Em7 B7 Em7 I Ex. 7 The basic blues progression in B minor Bm7 Bin7 Bm7 Bm7 Em7 Em7 Bm7 Bm7 FV Em7 Bm7 Bm7 F1m7 Fm7 C7 Bm7 Fm7 Bm7 Ex. 8 The basic blues progression in F# minor Fltm7 Fm7 Fm7 Fm7 II Bm7 I LH Fm7 - Ex. 9 The basic blues progression in C# minor A cm7 Cm7 Cm7 Cm7 14m7 Fm7 36 Cm7 Cm7 Fm dm7 Cm7 VARIATIONS ON THE BASIC 12-BAR MINOR KEY BLUES PROGRESSION The basic minor-key blues progression Ex. I on previous page is often modified for the sake of harmonic variety.
Lx. 10 12-bar minor-key variation #1 im im7 im7 ivm7 im7 ivm7 im7 im7 ivm7 vm7 im7 im7 T IF I ifim I Ex. 11 Variation #1 in the key of C minor Cm7 Cm7 Cm7 Cm7 Fm7 Cm7 Fm7 Cm7 Gm7 Fm7 Cm7 Cm7 if if Lx. 12 12-bar minor-key variation #2 im7 ivrn7 im7 In the minor blues, V7 or V7b9 is used more often than vm7 ivm7 irn7 ivm7 im7 ivm7 im7 V7 0r vm7 Cm7 G7 or Gm7 Fm7 im7 V Cm7 G7 if if - Ex. 13 Variation #2 in the key of C minor Cm7 Fm7 Cm7 Cm7 Fm7 Fm7 Cm7 I L Lx. 14 12-bar minor-key variation #3 im7 ivm7 im7 This progression has a im7-ivm7-im7-V7 turnaround in measures 11-12 ivm7 im7 Fm7 Cm7 Cm7 im7 im7 V ivm7 im7 ivm7 im7 V7 Optional chords for measure 10: V7sus / V7b9 / Ex.
101 Bad to the Bone by LARRY McCABE