New PDF release: A Commerce of Taste: Church Architecture in Canada,

By Barry Magrill

ISBN-10: 0773539824

ISBN-13: 9780773539822

In the late-nineteenth century the circulate of trend books that includes medieval church structure in England facilitated an remarkable unfold of Gothic revival church buildings in Canada. attractive a number of subject matters round the unfold of print tradition, faith, and cost, A trade of style information the enterprise of church construction. Drawing upon formal architectural research and cultural idea, Barry Magrill indicates how development books supply a distinct method of learning the relationships among style, ideology, privilege, social switch, and economics. flavor used to be an idea used to legitimize British - and to an quantity Anglican - privilege, whereas different denominations resisted their aesthetic edicts. trend books ultimately misplaced keep an eye on of the exclusivity linked to flavor as advances in printing know-how and transatlantic delivery introduced extra books into and readerships elevated past the pro periods. through the early 20th century style had develop into diluted, the architect had misplaced his heroic prestige, and architectural differences between denominations have been much less obvious. Drawing jointly the heritage of church construction and the wider styles of Canadian social and historic improvement, A trade of style provides another viewpoint at the unfold of non secular monuments in Canada through having a look squarely at trend books as resources of social clash round the factor of taste.

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Extra info for A Commerce of Taste: Church Architecture in Canada, 1867-1914

Example text

Wills veiled self-promotion behind humility with an approach not unfamiliar to church missionary movements that spread among settlers. Interestingly, within twenty years this sense of decorum was virtually Fig. 10 Specimen page of design no. 8, plate 15, from Church Architecture. 31 • the r ise of comm ercial so ciet y eroded from the architectural profession in the US, and to some lesser extent in Britain, by architects blatantly marketing their designs for churches in pattern books. By the early 1870s, the US architects Frederick Withers and Henry Hudson Holly produced pattern books that exclusively contained a series of churches they had proposed and built in various US towns and cities.

Public access to visual material in the pattern books tended to produce copies of British churches rather than flexible turns of an architectural Gothic phrase. Commercialized taste became a component in the identity-making process associated with church-building in the decades after official Confederation. The result of marketing taste in the public domain, especially in print media, conflated the transience of fashion with the enduring and permanent aspects of taste. Taste-cum-fashion became a leveller in colonial society because of increased access to money and goods, formerly associated with 20 • a commerce of taste Old World landed gentry.

Fripp, who owned a copy of James Kellaway Colling’s pattern book, Art Foliage (1874) (fig. 12), understood that church pattern books produced after the 1840s subtly marketed all sorts of new architectural ideas masquerading as traditional building technique. Depicting a series of architectural details, including foliated capitals, tile patterns, and carved ornament, the book marketed history as a dynamic field of representations of knowledge. Publishers keen to present the full spectrum of progressive-to-conservative church designs as a form of cultivated education created books that appeared to be expensive, bound editions of hand-pulled etchings.

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A Commerce of Taste: Church Architecture in Canada, 1867-1914 by Barry Magrill


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