Jim Ferguson's All Blues For Jazz Guitar - Comping Styles,Chords & Grooves PDF

By Jim Ferguson

Destined to develop into a vintage, this e-book is the typical results of not just years of enjoying jazz guitar but in addition of the author's lengthy institutions with many leading edge jazz guitarists. This complete advisor is without doubt one of the first jazz the way to concentration totally at the blues idiom and its contribution to jazz improvisation. it's designed that will help you play authoritatively in a vast spectrum of jazz guitar settings from immense band to small mixtures to a solo context. This publication is split into four sections which addresses 12-bar blues progressions, 3-note Freddie Green-type chords, shuffles, swing riff comping, chord scales, linear bebop comping, modal innovations, triads over bass notes and a wealth of chord voicings and inversions. comprises over a hundred and ten tune examples, forty five entire 12-bar choruses, and a CD with 30 tracks. It additionally bargains a worthwhile thesaurus of jazz terminology. Written in ordinary notation and tablature.

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Though the piece tries to plateau some small respite from woe, it cannot. It draws too much attention to its tragic beauty. Once the pool of its emotion forms, we sink and swim in the darkening well for its duration. It can produce a terrible ache, where loneliness is often made that much lonelier. But the Adagio’s most enduring legacy is the question it continually poses: What is its sorrow about? There are a number of answers. Here are three. It is about Barber’s melancholia and depression; it is about the aloneness we feel when a loved one is lost or dies, whether a president or a princess, a parent or a child; and it is about our alienation from ourselves as Americans: the shattering sound of our fallen dreams, for dreams dreamt big, and the equally shattering remorse we feel when we realize we are not and never will be that big.

The piece has been played to memorialize the deaths of presidents, movie stars, royalty, and everyday people. It was used to grieve America’s tragic venture in Vietnam in the Oscar-winning antiwar film Platoon, directed by Oliver Stone. Most recently the music was played to remember the victims of 9/11. ) Today, its range of venues continues, from film scores to trance music, from sitcom parody to heartrending memorials. It’s been played for soldiers who’ve died in Iraq and children killed in a bus accident.

It has symbolic cultural import like Roosevelt’s voice and the voice announcing his death. By the time of the Adagio’s premiere, and its sonorous testament to all the fallen soldiers and their fallen leader, radio had saturated the homes and psyches of Americans and primed them to receive its mournful call. Later, with the development of film and television, Barber’s music is again fitted to a nation’s wounds, albeit in a much different medium than radio. The piece attains its popularity via the social transformations of radio, film, and television.

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All Blues For Jazz Guitar - Comping Styles,Chords & Grooves by Jim Ferguson


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