By Kingston J.H. (ed.)
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Secondly, the muscles which support the sound will be free of unproductive tension. Thirdly, the organs and other apparatus which produce the sound will be free of constriction. It is important to note that good posture does not mean stasis or rigidity. While concert singers usually stand facing the audience throughout a performance, singers of opera, musical theatre or pop and rock music often move about, sometimes very energetically. The principles and physical aspects of good posture are the same whether the singer is standing still or moving about.
As far as pronunciation goes, she can get away, at least in the initial stages, with listening to native singers and with working with a language coach or knowledgeable singing teacher. Many English-speaking singers despair over this fact. However, her innate ability to mimic sounds will prove useful in this regard; one of the best ways to learn how to pronounce a foreign language is to listen to native singers. Another thing to remember is that all people, no matter what their native language, have basically the same vocal equipment and, therefore, the same ability to create the sounds of any language.
Nevertheless, the consonants, when they are properly understood by the singer and incorporated into her vocal technique, are an important tool to convey meaning. Chapter 4 contains a discussion of the technical aspects of dealing with consonants. Here the Letterpart Ltd – Typeset in XML A Division: Text F Sequential 26 Vocal Equipment 33 formation of some different types of consonants is related to their role in singing. 1. SEMI-VOWELS Some consonants are semi-vowels. These are ‘l’, ‘m’, ‘n’ and ‘r’.
An Introduction to Computer Programming with Java by Kingston J.H. (ed.)